Tinchy Stryder
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On 25th January MTV brought their Blackberry sponsored Brand New for 2011 project from the TV and internet screens and live to North London’s KOKO. The first night of the MTV live shows, the sold-out concert featured an urban line-up with Tinchy Stryder headlining [pictured above]. I’m continually impressed with how many mobile phone and technology companies are beginning to understand the real commercial prowess their technology can enable. Blackberry, who’ve long-recognised that their unique selling point is communication, invited audience members to add the event’s special Blackberry Messenger pin to send messages, which appeared on a big screen between performances. Performances were also segued with VTs of the Brand New for 2011 candidates, which include two of the night’s acts, RD and Jessie J.

Tinchy Stryder has always claimed to be on cloud nine and in 2009, he very much proved that the sky is the limit. The number one selling male artist in the UK was just one of the many accolades which came from the young superstar, whose early Grime days seem like a lifetime ago. Striking a fine balance between stylish verses and big, dance anthems, the Stryderman now finds himself courting the attention of an audience made up of raucous teen fans, respected industry figures in the UK as well as a certain Head of Roc Nation. So what does that mean for his third album Third Strike? Will the prying eyes of all these interested parties force the Golden boy to take a more predictable route? Or does a young man who has gained so much musical power, use it to his advantage to squeeze out a differing sound altogether?

speechbigbanner South London’s Speech Debelle snuck in the back door this year with alternative Hip Hop album Speech Therapy. This time last year, many of us had never heard of her. Then in September, having developing a media buzz surrounding the album’s June 1st release on Big Dada (British home to Hip Hop from the likes of Roots Manuva and Ty), the 26-year old proudly won the Mercury Prize 2009 awarded to the year’s ‘best British album’ for her unique blend of jazzy, soulful Hip Hop. Admittedly, I’m not too satisfied with that genre description either – but this difficulty in placing Debelle is probably what attracted the Mercury Prize judges in the first place.