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If anyone were to take in the great works of Shakespeare and make it more musical for the current generation of new age art lovers to appreciate, it would most definitely be Dagenham's home town hero, with a hard hitting feel to the English language. MC Devlin with film and stage actor Joseph Fiennes take on a Shakespeare sonnet to modernise the life within it with a new approach. The Hyundai powered New Thinker's Index piece features the two discussing Shakespeare's Sonnet 129 and revamping it along side producer/engineer Lewi White. We're all up for the fusion of art. Check out Devlin and Joseph Fiennes create a track together below.

Having recently watched the film version of A Clockwork Orange, I was excited to see how the timeless classic was adopted by the Royal Theatre Stratford East [read my review here] as well as to have a chat with the men behind the piece. Considering the book held such weight and was so popular, I wondered if Ed Durante – who was behind the words - and Fred Carl – who was behind the music – felt any pressure in terms of re-imagining the story. They didn’t...

A cult novel that still has as much relevance today as it did when it was first imagined in 1962, A Clockwork Orange has been adapted many times; most famously by Stanley Kubrick in the 1971 film. New Yorkers Ed DuRante (words) and Fred Carl (music) are the latest to embark on this endeavor, promising to return to the original source of Anthony Burgess’ book and most importantly, his last chapter of redemption and hope which was missing from the first editions of the novel and the famous film.

A cult novel that still has as much relevance today as it did when it was first imagined in 1962, A Clockwork Orange has been adapted many times; most famously by Stanley Kubrick in the 1971 film. New Yorkers Ed DuRante (words) and Fred Carl (music) are the latest to embark on this endeavor, promising to return to the original source of Anthony Burgess’ book and most importantly, his last chapter of redemption and hope which was missing from the first editions of the novel and the famous film.

The dream team of playwright/actor Arinze Kene and director Ché Walker are back at The Oval Theatre, South London with Little Baby Jesus. First staged at the Oval as part of 2010’s 33% Season this coming-of-age tale with a twist is comprised of three separate but occasionally intertwining monologues by Kehinde (Fiston Barek), Joanne (Seroca Davis) and Rugrat (Akemnji Ndifornyen). The trio share animated anecdotes about the trials and tribulations that hurl them towards adulthood, ready or not.