On-Screen
-1
archive,category,category-onscreen,category-480,wp-custom-logo,wp-theme-bridge,bridge-core-3.3.4.8,qi-blocks-1.5.2,qodef-gutenberg--no-touch,qode-optimizer-1.2.2,qode-page-transition-enabled,ajax_fade,page_not_loaded,,qode-title-hidden,qode_grid_1300,qode-content-sidebar-responsive,qode-smooth-scroll-enabled,qode-theme-ver-30.8.8.9,qode-theme-bridge,disabled_footer_bottom,qode_header_in_grid,wpb-js-composer js-comp-ver-8.7.3,vc_responsive

Before there was Hype Williams, Little X and Benny Boom, there was Lionel C. Martin. From 1987 to present, Martin’s videography reads like a scroll of all of the great talents of the past 25 years in urban and popular music. Martin is responsible for giving urban music videos life and authenticity at a time where Hip Hop and R&B desperately needed a pioneer to deliver a quality product for the world to see. Martin has produced videos for TLC, Stevie Wonder, R. Kelly, Public Enemy, Bell Biv Devoe, Big Daddy Kane, Jay-Z, Keith Sweat, Toni Braxton, Boyz II Men, SWV, En Vogue, MC Shan, Jodeci, Mariah Carey, Jill Scott, Nas, Wu-Tang Clan, Notorious B.I.G., Father MC, Hi-Five, Tupac, N’Sync, Backstreet Boys and many more. Martin, a native of Queens, NY, was a trailblazing force in the 1980s when he helped launch the Video Music Box channel with his childhood friend, Ralph McDaniels in 1984. The Video Music Box channel was only seen in the Tri-State area at the time. The Tri-State area consists of New York, New Jersey and Connecticut. Martin was one of the first hosts on the show and his moniker was (The VidKid). The channel would play every Hip Hop video from the popular artists of the time period. After its inaugural year, Martin devised an idea to expand the channel’s brand and this move helped to make the channel achieve legendary status. Martin alongside McDaniels made the decision to travel extensively through the emerging hip-hop scene to cover parties and shows to illustrate the influence that Hip Hop culture was having on New York City and the surrounding areas. It would prove to be pivotal in shaping the career path of Martin. During this time, the Video Music Box channel was the only Hip Hop program in syndication on public television in the United States. It gave a voice and face to a culture that would begin to dominate the mainstream in the forthcoming years. Whilst working on the Video Music Box channel, Martin would see the types of videos that would come in from the artists and thought that the Hip Hop culture needed to have better representation for the art form. This is where his voyage of directing music videos begins. Recently, SoulCulture sat down to talk with Martin about his contributions to urban music videos, behind the scene stories and the importance of maintaining pride in urban culture.

Billed as "a multi-cultural awards show from an African American point of view," the 42nd NAACP Image Awards nominees have been announced for this year's ceremony, set for live broadcast on Friday, March 4th via FOX - read on for the full list. Celebrating "the outstanding achievements and performances of people of color in the arts (television, recording, literature, motion picture and writing & directing), as well as those individuals or groups who promote social justice through their creative endeavors," the winners are voted in by members of the NAACP (National Association for the Advancement of Colored People) announced at the annual ceremony, usually held in Los Angeles.

On the eve of the worldwide release of Brooklyn's Finest, SoulCulture's Hugo Salvaterra delved into the cinematic motivations of director Antoine Fuqua - exploring why he wants to tell us another Street story and its contrast with other projects, his choice of actors and his perspective on America. From Hollywood L.A. to London, let's gets into Antoine Fuqua's mind… Hugo Salvaterra: First of all, after the success of Training Day why another movie in the same genre, why would you want to explore that again after all the accolades that you got? Antoine Fuqua:

Hollywood actress Sanaa Lathan talks to SoulCulture.TV about her family's history in entertainment, being very critical of her own work and distinguishing between herself and the characters she plays. "I am my instrument, you can't just leave yourself behind. There's a little of me in every character.... and yet... well-written characters have their own spirit about them." We also discuss her fun, cartoon role in The Cleveland Show - and the issue of under-representation of black culture, as well as being typecast for specifically "black" roles. "The truth is...