22 Jul Eric Lau – One Of Many | Album Review
Known for his work with Lupe Fiasco, Georgia Anne Muldrow, Chris Dave and Oddisee, to name just a few, and his DJing in support of the likes of Erykah Badu and Questlove, British producer Eric Lau steps back into the limelight with his second album One Of Many, showcasing his skills as a songwriter as well as a producer.
18 Jun Thundercat – Apocalypse | Album Review
Stephen Bruner, aka Thundercat, has become the go-to bassist for artists seeking a virtuosic but tasteful low-ender. Notably on Flying Lotus’ 2010 LP, Cosmogramma, his fidgety six-string runs meshed perfectly with FlyLo’s electronica, heralding a surprisingly coherent musical partnership that would blossom with Thundercat’s first solo offering, The Golden Age of Apocalypse.
Whilst on paper the idea of a fusion-versed bassist collaborating with an electronica producer might sound inaccessible, in practice the result is accessible almost to the point of pop. Thundercat’s sound is a near-perfect marriage of catchy soul imbued with a sense of Afrofuturism [vaguely reminiscent of the likes of Weather Report and Billy Cobham], creating an album that valiantly attempts to present technological and musical virtuosity in coexistence with funk and soul.
Enter Apocalypse. The album's grandiose title serves to signpost the ambitious content in store.
18 Jun Mac Miller – Watching Movies With The Sound Off | Album Review
Ask any artist their creative process and they will convey a special story. Whether it's stuffing the studio with yes-men, relocating to Hawaii or making sure they’re high on acid; every practitioner has a unique way of creating art. Mac Miller's story involves plenty of muted throwback '80s films and wildlife documentaries. Quite an interesting process, right? Let me explain.
In the past four years a lot has changed for Mac. Between his own MTV reality show, moving from Pittsburgh to LA and acquiring a bunch of new rap friends, he managed to produce the first independent number one album in 15 years. But if we're on the subject of change I suppose we better talk about the biggest change of all; Mac Miller's sophomore record Watching Movies With The Sound Off.
12 Jun Talib Kweli – Prisoner Of Conscious | Album Review
Two years since his previous effort Gutter Rainbows hit stores, Brooklyn rhymer Talib Kweli drops off his fifth solo album Prisoner of Conscious. With an array of featured guests, a magnitude of rhythmically responsive instrumental backdrops and more subject matters than a book of short stories, the 15 track lyrical get down is a tempo frenzy of intellectual poetry.
11 Jun Omar – The Man | Album Review
“If it ain’t broke, don’t fix it.” This is definitely something that singer Omar Lye-Fook can relate to. As a longstanding member of the UK soul community, since the mid 80‘s he’s been part responsible for putting the UK on the map musically. Not changing his delivery, creative mindset or his target audience, whether it’s his happy-go-lucky attitude to life or his passionate application to making music, you just can’t help but love him. Respected by everybody, hated by none, having him back after seven years is some what of a relief.
03 Jun The-Dream – IV Play | Album Review
A complex character of sorts, The-Dream is an incredibly talented individual who once in a while makes a questionable creative decision. With that said, when he’s on his game he’s really on his game. Returning with his fourth studio album [if you disregard the free-turned-salable Terius Nash: 1977], the aptly titled IV Play is commercially the most anticipated of his long plays; thanks to his high-profile Beyonce collaborations, Watch The Throne input and Grammy win for "No Church In The Wild."
11 May Soulection – Time In Between | Compilation Review
It’s remarkable to think about what LA based label Soulection has achieved since starting up at the beginning of 2011. Having released over 25 projects from artists across the world, the label also boasts a weekly radio show that has seen a number of guests including the likes of DāM-FunK, Melo-X and Freddie Joachim.
Founded by radio host Joe Kay, visual director and artist Guillaume Bonte (aka 96) and motion designer/videographer Andre Power, the label’s first release came in the form of Soulection Compilation, a 25-track project showcasing just expansive and talented the Soulection family is. 26 releases and two years later, the label has just dropped Time In Between, the second compilation, which shows off the exponential growth the label has seen in such time, all the while keeping the project more cohesive than its predecessor.
11 May Star Trek Into Darkness | Film Review
Since the broadcast of the original TV series in 1966, Star Trek has had so many sequels, reboots, re-inventions and spin offs that it becomes quite laborious to calculate. But never has the franchise received the widespread appeal given by its JJ Abrams (Director) reenactment, which began with his aptly titled Star Trek (2009) and now continues with Star Trek Into Darkness.
Starting more or less where Star Trek left off, Into Darkness follows the exploits of Captain Kirk and his First Officer Spock as they "go where no man has gone before, explore new worlds and new civilisations" whilst perpetually debating the value of reason against intuition, blow things up, almost get killed, introduce pre-modern beings to advance technology by accident and basically unleash mayhem.
If I reveal too much more of the plot I’ll risk ruining the movie - but in brief it goes like this: a building gets blown up in London, lots of people die, Noel Clark (Doctor Who, Kidulthood) appears, the perpetrator is quickly revealed, numerous Starfleet officers plan to catch the bad guy and then, quite literally, all hell breaks loose. And that’s pretty much the sum of it.
25 Apr Ghostface Killah – Twelve Reasons To Die | Album Review
Dark poetry is probably the best way to describe Ghostface Killah’s latest offering. If you’re a fan of Quentin Tarantino movies you’ll love it. Like a lyrical horr-opera, Ghostdini does what he does best by attacking every beat with his razor sharp tongue not letting up for even a second. While many are going to forever say that Ironman is the Wu-Tang [Clan] rhymer’s finest work – which it might well be – Twelve Reasons To Die is definitely of the same standard.
With solid narrative from start to finish, the return of a completely cohesive project is a beautiful thing to see and hear. Ghost’s lyrically descriptive music paints an insane picture of retaliation, revenge and get back; and putting pieces of the puzzle together becomes a satisfying game of did he/didn’t he [which once again gives your rewind button purpose].