the lady killer
-1
archive,tag,tag-the-lady-killer,tag-2151,wp-custom-logo,wp-theme-bridge,bridge-core-3.3.4.8,qi-blocks-1.5.2,qodef-gutenberg--no-touch,qodef-qi--no-touch,qi-addons-for-elementor-1.11,qode-optimizer-1.2.2,qode-page-transition-enabled,ajax_fade,page_not_loaded,,qode-title-hidden,qode_grid_1300,qode-content-sidebar-responsive,qode-smooth-scroll-enabled,qode-theme-ver-30.8.8.9,qode-theme-bridge,disabled_footer_bottom,qode_header_in_grid,wpb-js-composer js-comp-ver-8.7.3,vc_responsive,elementor-default,elementor-kit-141114

Cee Lo Green possesses the ability to present serious and even melancholy themes to audiences without depressing anyone; almost presenting a paradox as upbeat production and his emotive, raspy falsetto both belie the lyrical content and leave listeners elated. The starkly obvious example of this is 2003’s “Crazy”, which dealt with mental health by making you question “does that make me crazy?” and then shrug, “probably”. The Lady Killer’s lead track “Fuck You” is this record’s “Crazy”, and it deals with rejection over an infectious, saccharine beat, and makes fans (well, me at least) want to cheerily chuck expletives at everyone while doing a shoulder bounce and foot shuffle. In fact, The Lady Killer on a whole taps into