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Consistency is key, and as far as the rap game goes there are a handful of individuals who deliver time after time after time. While an unlikely source of such consistency, mainly due to his endless array of sidetracking lyrical and street beefs - there have been a few embarrassing secrets dug up too - Jayceon Taylor, aka
Game, seems to be a rhymer that the hustlers ride with, the girls scream for, and his peers unquestionably admire. Much of his music has proved timeless, if slightly repetitive occasionally, and his level of sales has maintained a respectable level during a declining climate that sees the Compton representative’s total sales sit close to the ten million mark.
With new album
Jesus Piece marking his fifth major label release, Game has put together a conceptually stellar project that features near perfect production and cinematic tales of a road less travelled, unless of course you perceive yourself as a gangster. After switching album titles at least three times [two of them being
Soundtrack To Chaos and
F.I.V.E. (Fear Is Victory’s Evolution)] the decision to run with
Jesus Piece was more to do with the conceptual split screen that glorifies street life whilst worshipping faith in a higher being than anything else.
Throughout his career Joe Budden has been considered many things - an outcast, a drunk, very much up himself, and more recently a sucker for love. While he may admit to being, or having been, one or some of these things, something has been missed. How about survivor? Judging from his recent verse on "Want You Back" with Fabolous and Cassie, as well as a few older joints, and his Slaughterhouse entries of course, Joey has physically, mentally, and emotionally been through the wars.
Bringing to the table his first official solo project since the conception of hip-hop supergroup Slaughterhouse, of which he is a part alongside Crooked I, Royce Da 5'9", and Joell Ortiz, Budden might have finally silenced his critics.
