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jared-evan

"I’m a classic rock kid that fell in love with Hip-Hop."

There was a time that Jared Evan was considered a high priority artist by Jimmy Iovine, signed to Interscope Records via Polow Da Don’s Zone 4 imprint in 2009. After a mountain of money was poured into his development, some moderate success, a mixtape, a couple of singles and a few high profile tours later, label restrictions on his creativity choked the the singer, songwriter, rapper and producer and Evan departed the majors for a dose of fresh air and the chance to do things independently. Finding himself during this time, he seems to have now unlocked his true musical potential. Moving more away from the rap pretty boy image Interscope tried to market him with, Evan’s recent material boasts copious amounts of heart, soul and a dash of rock - with love for bands such as the Beatles and Led Zeppelin - plus a generous helping of Hip-Hop. Sitting down with SoulCulture, Jared Evan talks industry politics, musical growth and the creative process behind his recent collaborative effort with Statik Selektah, Boom Bap & Blues [read our review here]. The indie grind isn’t an easy one but, with hard work and determination, resetting the career clock isn’t always a bad move - or so Jared tells us...

BoomBap&Blues_Artwork reviewrate4_5 Every artist, at some point in their career, has to step from out of the shadows to announce themselves to the world. There are those who have a talent so obvious that one line on one song can say it all. With that said, the reintroduction of Jared Evan couldn’t have come soon enough. Releasing his first official album in the form of Boom Bap & Blues, the New York singer, songwriter, producer and rapper is without question the truth.

The terms grafting, grinding and so on are so often thrown about in Hip Hop because anyone refusing to put in the work eventually falls far behind in the never ending race to remain relevant in the scene. Fortunately for respected DJ, Producer, label CEO and radio host Statik Selektah his non-stop efforts have secured his place amongst the small group of respected names across Hip Hop's wider market. From working with long term partner Termanology to hosting his own show on Shade 45, the East Coast resident has proven to be one of the more adequate jack-of-all-trades individuals in the genre. Still finding time to hit the studio, Population Control is the fifth solo release from Statik, where the now recognisable boom bap, claps and soul flavours of the beatsmith should be done justice by the various spitters on hand to bless each track.

Emerging Pittsburgh Hip Hop artist and the newest signee to the house that homes Wiz Khalifa (Rostrum Records), 19-year old Mac Miller has been on a steady rise over the last few years; from doling out mixtapes whilst in high school - the first of which was released at the early age of 15 back when he was known as ‘Easy Mac’ (2007’s But My Mackin Ain’t Easy) - and garnering over 19 million views on his YouTube page in little under two years; to establishing himself as one of the premiere faces at the forefront of Pittsburgh’s fast-rising Hip Hop scene along with new label-mate Wiz Khalifa. After recently graduating from high school last Spring, Mac Miller has seen his stock rise exponentially through the roof not only in his home town Pittsburgh and all over the internet, but also in the overall landscape of American Hip Hop music with the release of his major mixtape debut, the critically-acclaimed K.I.D.S (Kicking Incredibly Dope Sh*t) and his two-legged Nationwide ‘Incredibly Dope’ tour which sees the Rostrum Records-signee perform in over thirty five cities all across North America.