Rick Ross
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The hierarchy within a crew is not often formerly advertised, especially within hip-hop, but based upon viewer and listener assumptions, bosses, underbosses, and capos are identified. Some are recognised based upon their musical impact - NWA had Eazy E (boss), Dr. Dre (underboss), Ice Cube (capo); some are identified upon their street stature - G-Unit had 50 Cent (boss), Tony Yayo (underboss), Lloyd Banks (capo); while others are a mixture of the two. Meek Mill is someone who sits somewhere in between an underboss and capo. Reason being is that musically he’s an underboss while his goon affiliations make him a capo. Either way he’s a decorated individual. Under the guidance of Rick Ross, the buzz surrounding Meek has been phenomenal. Whether you’re a fan or not, there’s no denying his domineering presence within the rap world over the past year or so. Following his acclaimed mixtape series - Dreamchasers, which is also the name of his budding record label - the Maybach Music Group emcee's debut album has finally arrived and the time has now come for the boy to prove he’s a man, and the cub to prove he can be King.

As summers have come and gone, what defines each and every one of them has been the soundtrack which accompanies it. Many of rap's past and present figures have defined a summer with an unrivaled arsenal of musical ammunition to add extra power to many drop-top convertibles and speakers. Having dominated the first seven months with numerous MMG releases, Maybach boss Rick Ross now faces his biggest obstacle, venturing into the arena alone to offer up his greatly anticipated, boldly-titled album God Forgives, I Don't, which many feel will solidify his much-doubted credibilities as a performer and as a man. Considering his previous works, including 2010's Teflon Don, still stand as landmark moments in recent history, the pressure mounted onto Ross from radio personalities and others highlights the work required in convincing rap folk of his merits. God Forgives... spearheads Island Def Jam's summer assault course, as the label hopes that Ross's kingpin status remains teflon.

In what was surely an introspective effort, the Yellow Album gave longtime Dom Kennedy supporters something quite different from the usual summer-released, Westside, Impala-riding music. In contrast to From the Westside with Love II, the Yellow Album utilized more synthesizers. 2011 summer classins like “Grind’n”...

Earlier this year, Hot 97 DJ Peter Rosenberg declared Hip-Hop's current period the "Rick Ross Era." Whilst many may be hesitant to make such a declaration, 2012 has most certainly been dominated by the Untouchable Maybach Music Group with regards to new material and landmark moments. With a majority of the roster dropping mixtapes, tearing down live shows and generating the most industry buzz, MMG's return to the studio as a collective will most certainly add to the hysteria the outfit has so far caused. Rick Ross leads his alliance into the summer with MMG Presents: Self Made 2 and aims to maintain the grip on the scene before his much-anticipated solo album God Forgives, I Don't drops to solidify his "Bawse" status for another year.

The Warner Music stable Maybach Music Group may very well be the next great powerhouse in Hip Hop to be acknowledged alongside the likes of Roc-A-Fella, Bad Boy and Death Row. The reason for this isn't the magnitude of hype/output that its leader Rick Ross possesses, its the crew's supporting cast who potentially will bring more than a few numbers to the table when history recalls MMG's glories. Arguably one of the breakout star of 2011, Meek Mill jumped at the chance to establish himself as a mainstay in Hip Hop, delivering verbal beatdowns as a featured artist and on his own impressive Dreamchasers mixtape, as the 23-year-old Philly young gunner delivers a sequel with more abrasive, young-wild-and-free narrations.

Loyal fans know Estelle as a vibrant female rapper who started her musical ventures in 2004 with The 18th Day and went on to release her second album, the gold-certified Shine, in 2008. Both albums received a great response, making the British singer/occasional rapper a force to be reckoned with. Having already made her mark on her home turf of the UK, it was time to take her name and achievements to the U.S. Showing no fear whilst being so far away from home, the singer has made a mark in the States since meeting John Legend and signing to Atlantic/Homeschool Records. After making her first chart appearance with the Kanye West-assisted single "American Boy," the success that was to follow was set in stone. Now with a U.S. tour, several accolades and TV appearances all complete, her third studio album, All Of Me, is out in the open.

The American Dream has long been something referred to. Whether it's been theorised, personified or declared as something unachievable, the maxim has become something which will forever remain in America's society. Whilst the common Hip Hop image of wealth, possessions and women has often been described as "living the American Dream," Ohio native and Maybach Music-signed rapper Stalley looks beyond that culture to acquire a meaning of the dream.