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Critically acclaimed as a success by music industry insiders and culture writers of the time period, Forever My Lady was released on May 28, 1991 by Uptown/MCA Records. At the time, the genre of R&B was being dominated by the infusion of Teddy Riley’s New Jack Swing style and it was at a real crossroads from a generation earlier where singers dominated the genre as opposed to the production of the music. The world would be introduced to two sets of brothers who would stake their rightful claim as trendsetters within the genre; Jodeci boasted the production and songwriting talents of the DeGrate brothers, Donald “Devante Swing​” DeGrate and Dalvin “Mr. Dalvin” DeGrate and the stellar vocals of the Hailey Brothers, Cedric “K-Ci” Hailey and Joel “Jo-Jo” Hailey. Their style was a refreshing reminder of soulful ballads from a bygone era and the highly successful New Jack Swing style of the late 1980s and early 1990s. Their vocal talents alongside Devante Swing’s production and songwriting skill set were something to behold given how young they were at the time. Their ages ranged from 17-19, but their music sounded like well-groomed R&B stalwarts. Aesthetically, their style was groundbreaking due to the “bad boy” machismo and bravado they personified on record and stage. A young Sean “Diddy” Combs assisted in crafting the ensemble’s image while Andre Harrell, Dwight “Heavy D” Myers and Al B. Sure! provided musical guidance for this particular album; which was recorded in the Hit Factory Studios in Manhattan, New York between the years of 1990-1991 Forever My Lady. SoulCulture recently sat down with Dalvin “Mr. Dalvin” DeGrate, group member, musician and co-writer for the album to shed some light on how the album came together.

112 was released on August 27, 1996 by Bad Boy Records. 112 arrived on a musical landscape where R&B music was at its peak for mainstream audiences. During this juncture, there were a plethora of R&B groups making their mark on the industry and opening doors for new acts to breakthrough. The opportunity to capitalize on this momentum was made available and 112 seized the opportunity in the stellar fashion. Bad Boy Records was the newest label on the scene and their youthful exuberance shined through with the hot acts they were signing in both the R&B and Hip Hop genres respectively. 112 became the second R&B act signed by Sean “Puff Daddy” Combs and he clearly saw something in the quartet ages ranging from 17-19. The group failed to disappoint with their debut offering and left quite the impression on the multitude of music fans worldwide. This album would introduce the group as an alternative choice from the other R&B groups on the music charts. Their style of rhythm and blues was reminiscent of Boyz II Men and many of the forefather R&B groups throughout the history of R&B music. Each of the 19 songs on the album highlighted the four part harmonies of Michael Keith and Daron Jones and lead singers Marvin “Slim” Scandrick and Quinnes “Q” Parker. It would also showcase the production talents of group member Daron Jones, up and coming Bad Boy Hitmen producer, Steven “Stevie J.” Jordan, Tim & Bob, Wanya Morris of Boyz II Men and Sean “Puff Daddy” Combs. All of these elements proved to be explosive once the album hit stores in the late summer of 1996. The concept for the group was formulated by Daron Jones and Michael Keith when they were in 7th grade. 112 formed as a group in 1994 in Atlanta, Georgia while attending the same high school. They were originally a quintet and their group name was Forte, which was an acronym for Forever On Route to Excellence. After various line up changes with different group members, co-founders Daron Jones and Michael Keith recruited Marvin “Slim” Scandrick and Quinnes “Q” Parker to become part of the group. The group began to build a legendary reputation around their hometown of Atlanta by winning consecutive singing competitions. They eventually gained the attention of producers Tim & Bob and managers Courtney Sills and Kevin Wales. As the story goes, the group was brought in to perform for Sean “Puff Daddy” Combs at the famous Buckhead 112 Club in Atlanta, Georgia. It would be here where they would obtain the name for their group. After receiving a co-sign from Faith Evans and Chucky Thompson, Combs signed the quartet to his label to become his first male R&B collective. A year later, the group would release their debut album and the rest would be history. Between the months of February 1995-January 1996, 112 was recorded at Daddy's House studios in New York, New York. SoulCulture recently sat down with co-founder Daron Jones and producer Steven “Stevie J.” Jordan to discuss how the album developed from beginning to end.

day_26 BREAKING THE BAD BOY CURSE Interview with Que of Day26 By Tahirah Edwards Byfield The fourth of MTV's Making The Band was the most controversial season yet. As well as publicly solidifying the end of girl-group Danity Kane, the season also documented a turbulent three months for Qwanell "Que" Mosley, Robert Curry, Mikey McCluney, Brian Andrews and Willie Taylor of Day26. With fighting between band members and the looming threat of disbandment, the future of Day26 also seemed to be ambiguous. However, instead of facing a fate similar to their female counterparts, the R&B quintet released a chart-topping sophomore album Forever In A Day and are seemingly closer than ever before. Whilst on the road touring with The Dream, Que from Day26 spoke to SoulCulture about music, the Bad Boy curse and the 'reality' of reality TV.