Billy Cobham’s position as one of the finest drummer’s in Jazz can be traced back to the glory days of the '70s Jazz-fusion era playing on a number of seminal recordings, most notably Miles Davis’ Bitches Brew and Tribute To Jack Johnson. His foray into this new burgeoning sub-genre continued when he joined the harder rocking side of the fusionists, Mahavishnu Orchestra. Once their original line-up dissolved after three rapid and groundbreaking albums Cobham, tired of in-band fighting and being a hired hand, took the leader’s mantle and formed his own band Spectrum.
Since then he’s been firmly established as a marquee name and continues to attract sold out crowds wherever he performs - February 23, the penultimate performance of his six-night stand at Ronnie Scotts, London being no exception.
"All my inspiration comes from Ahmad Jamal" - high praise indeed from anyone but when it comes from an esteemed voice such as Miles Davis, you get an idea of how much a talent Ahmad Jamal is and the kind of influence he’s had on the Jazz world down the years.
Now in his 83rd year, Jamal continues to regularly tour the globe and release albums to critical acclaim. In support of last year’s Grammy nominated Blue Moon, Jamal on the Grand piano and his trio - double bassist Reginald Veal, drummer Herlin Riley and percussionist Manuel Badrena - entertained a sold out Barbican on February 8th for what turned out to be an unforgettable night.
The London Jazz Festival is known for bringing together the best in new talent and legends of the genre to perform in various venues across the capital over a packed nine-day period. This year was no exception, with the likes of Sonny Rollins and Herbie Hancock joined by one of Jazz’s newest and brightest star’s - Esperanza Spalding. The impressive, grandiose yet intimate setting of the Royal Festival Hall played host to her immense talents as she returned to London for another stop on her Radio Music Society tour on November 15th.
It's probably about time that you're introduced to Femi Temowo. The Nigerian-born guitarist (and producer) is amongst the most talented jazz musicians currently residing in the UK. Fittingly, he's just been nominated for a MOBO in the Best Jazz Act category.
A soulful musician and songwriter with a distinctive voice, built with obvious reggae influences in articulation and phrasing, Selah Sue offers her soulful, jazz-infused debut album. The self-titled LP went multi-platinum in her native country Belgium and peaked in the top ten of the Dutch and French albums chart, where she has been elevated as huge star, before embarking on worldwide release.
Best known for his much-sampled dance floor funk bomb “Soul Makossa" [that Michael Jackson got sued for unauthorized use of in “Wanna Be Starting Something"], Manu Dibango is among a small illustrious group of musicians who’ve managed to sustain their career into a fifth decade. The Cameroonian saxophonist and vibraphone player blends Afrobeat, jazz and funk together for an original sound - which we heard in all its brilliance in London on May 4th; the second of a sold out three night stand at the legendary music institution Ronnie Scott’s.
To be quite honest, I'd never heard of Gregory Porter before. Although he was tipped by UK pianist Jamie Cullum, I just figured that it was another weightless promotion by the industry in order to sell records. However, after listening to his debut album Water, and watching Gregory Porter perform live, I was proved wrong. This jazz singer’s got something special.

