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The majority of us were introduced to Naughty Boy's sounds a few years before we ever caught a glimpse of him. Having taught himself to make music from the shed in his parents’ garden on a Watford estate, the British producer and songwriter, real name Shahid Khan, began furnishing homegrown rappers with beats - Bashy, Devlin and Tinie Tempah among them - before connecting with a then little-known Scottish singer, Emeli Sandé. Their chance meeting led to an engaging musical partnership that resulted in him producing and co-writing all tracks, bar five, on her multi-platinum selling debut Our Version Of Events, which became the UK’s best-selling album of 2012. 18 months on and Naughty Boy’s own album, Hotel Cabana, debuted at number two this summer, tugging Khan to the forefront. On a mission to delve into the character of the man behind the hits, SoulCulture sat down with Naughty Boy over a tasty curry in Covent Garden to discuss developing his craft, learning from Emeli Sandé, avoiding the industry, growth of the UK music scene and adjusting to prominence.

On Friday 25th February, Tinie Tempah performed to a sold out London crowd at Hammersmith Apollo in his biggest headlined concert to date. Disturbing London - the name of Tinie’s label imprint - served as an apt description for the packed show which saw 5000 teenagers, a sprinkling of industry heads, and his parents all in attendance. The show opened with a VT (multimedia visual) on a huge screen above the stage as the band played Tinie in. A consistent feature throughout the show, the VTs shown on the onstage screen were instrumental in enhancing the sensory experience of the night, with many videos shot or visuals built specifically for the tour. The young popstar emerged onstage performing his debut album Disc-Overy’s intro cut. Following with “Simply Unstoppable”, Tinie bounced around the stage energetically. As pyrotechnics fired up behind them, Ellie Goulding joined Tinie and the band onstage to perform his latest single, “Wonderman”.

Tinchy Stryder has always claimed to be on cloud nine and in 2009, he very much proved that the sky is the limit. The number one selling male artist in the UK was just one of the many accolades which came from the young superstar, whose early Grime days seem like a lifetime ago. Striking a fine balance between stylish verses and big, dance anthems, the Stryderman now finds himself courting the attention of an audience made up of raucous teen fans, respected industry figures in the UK as well as a certain Head of Roc Nation. So what does that mean for his third album Third Strike? Will the prying eyes of all these interested parties force the Golden boy to take a more predictable route? Or does a young man who has gained so much musical power, use it to his advantage to squeeze out a differing sound altogether?

In every school, college or university, there’s always that guy who does it all. They play sports, run the student council, get the highest grades and have been tipped for great success at the end of term. That same motif applies within the the music business as one artist will always push past the competition due to their numerous talents. In 2010, that crown of glory/pressure sits on the head of Timothy McKenzie, better known as Labrinth. At first being merely recognised as the vocalist on Tinie Tempah’s smash “Pass Out”, Labrinth now stands as one of the most influential figures in popular music today. With various production, songwriting and singing talents on his CV, the 21 year old finds himself signed to Simon Cowell’s SyCo label and at the start of etching out a musical legacy set to dominate the charts for years. Soul Culture sat down with the ‘Head Boy’ of the new school of artists to discuss the future, Team UK and being Simon Cowell’s latest investment…

Its been proven time and time again that it takes just one song to skyrocket an artist’s profile to nosebleed heights. In 2010, that story can be truly applied to Tinie Tempah. Located in the Grime arena beforehand, his previous offerings were applauded by some but weren't setting the world alight. But a phenomenal number one record with ‘Pass Out’ took the South London artist to national newspaper coverage, magazine spreads and performing at some of the biggest events of the year. Whilst a single may have provided all of the above luxuries, an album will solidify any accolades which may have been handed out as Tinie Tempah takes flight to a destination of success with his Disc-Overy debut.