II was released on August 30, 1994 by Motown Records. After selling over 9 million copies of their debut album, Cooleyhighharmony, Boyz II Men recorded the epic record, “End of the Road,” for the Boomerang movie soundtrack, which propelled their careers to the next level by setting records on the Pop and R&B charts.
They returned to the studio in 1993 to record a Christmas album,
Christmas Interpretations with fellow R&B stalwart,
Brian Mcknight to build on the success of their debut and appearance on the movie soundtrack.
All of these elements provided the group with a blueprint to achieve greater success. A year later, Boyz II Men would find themselves on the cusp of musical greatness once their second studio album would be released to the masses of music aficionados.
This album would see Boyz II Men taking it up a notch in terms of their overall musical production and vocal abilities. The 14 song offering contained the trademark melisma-style singing of
Wanya Morris, the tenor harmonies of
Shawn Stockman and
Nathan Morris and the smooth, deep bass notes of
Michael McCary. The album introduced a young, up and coming production duo named
Tim & Bob, welcomed back the production talents of
Dallas Austin and showcased the legendary production of
Babyface and duo
Jimmy Jam and
Terry Lewis. The inclusion of these greats musicians and vocalists became the springboard for the best selling album by an R&B group in the history of recorded music.
Boyz II Men formed as a group in 1988 in Philadelphia, Pennsylvania while attending the Philadelphia High School for Creative and Performing Arts. They were originally a quartet and their group name was Unique Attraction. Co-founders
Nathan Morris and
Marc Nelson recruited Nathan's brother, Wanya as well as Shawn Stockman and Micheal McCary to become part of the group. It wouldn't be until a year later where they would begin their journey down the road of unparalleled success.
As the story goes, the group was able to get backstage at a
Bell Biv DeVoe concert in 1989. They performed an a capella version of
New Edition's hit record, “Can You Stand The Rain” for
Michael Bivins. A year later, the group would be signed to a production deal by Bivins to his Biv Ten Records company, a subsidiary of Motown Records. Due to mounting frustrations, Marc Nelson left the group to pursue a solo career leaving the group as a quartet. Four years later, the quartet would establish themselves as the best R&B group on the planet.
Between the months of December 1993-May 1994 II was recorded at DARP Studios and Doppler Studios in Atlanta, Georgia, Babyface's home studio in Los Angeles, California, and studios in Philadelphia, Pennsylvania and Reno, Nevada.
SoulCulture recently sat down with Bob Robinson, one half of the legendary production duo, Tim & Bob and co-writer for five of the songs on the album to gain a deeper perspective on how the iconic record came to fruition.
There are a handful of artists who, on discovery, change the way I listen to music. Without question the first one to start the trend was Steveland ‘
Stevie Wonder turns 60 today. I don’t need to tell you how hallowed a figure he is in the world of music, or his Grammy tally. His legendary status speaks for itself. His career has been phenomenal and his reach is far further than just ‘Black’ music, influencing countless artists from a variety of genres. What I do need to tell you, is what I feel is most important about Stevie. 
It's been a long journey to The Bridge for Canadian songstress Melanie Fiona, one that's taken her across the world. I ask how London matches up to all of the cities she's visited while virtually living out of her suitcase. “I love it! If I could live and work here I would.” ...Over her hometown Toronto? “Well, I can't live AND work in Toronto...” she responds, addressing something I was preparing to discuss later in the interview; Canada's sparse black music scene. While Toronto has a plethora of diverse urban talent, the opportunities for them to penetrate the mainstream Canadian music industry is almost non-existent. 
“I’m of the opinion - especially in this day and age - that having a record in the marketplace doesn’t mean anything if the right pieces aren’t in place.” - the unsung hero increasingly known as Colin Munroe tells SoulCulture.