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It was 15 years ago that Shawn Corey Carter first publicly introduced the world to his alter-ego whose name would forever shake and inspire the genre of Hip Hop. Jay-Z’s Reasonable Doubt was the debut album from the enigmatic Brooklyn emcee, released on June 25 in 1996 on Roc-A-Fella records. For a first outing, Reasonable Doubt garnered much anticipation from fans and musicians alike, notably down to the ascension of Jay-Z and his Roc-A-Fella entourage from small time recording outlet to a potential powerhouse within the culture, a story which continues to be documented at every given moment. Jay-Z’s story begins in Brooklyn’s Marcy projects where, as an 11 year old boy growing up without a father, rapping would not only provide an adequate hobby but also the way of life for the future legend. Shawn was christened ‘Jay-Z’ due in part to his fast, jazzy way of rhyming as well as paying homage to his mentor, friend and rapper Jaz-O. The elder emcee’s1989 song ‘Hawaiian Sophie’ would provide Jay-Z with his first break within rap and further features on his mentor’s records would later follow. It was at this time however, that Jay-Z would begin in the selling of narcotics, even whilst pursuing a career within Hip Hop. After making appearances on fellow Brooklyn act Original Flavor on their 1994 album Beyond, (most notably ‘Can I Get Open’), Carter would grab the attention of the legendary Big Daddy Kane, with whom he toured with throughout the early '90s. Even after touring with Kane, featuring on Jaz-O and Original Flavor’s records, it was his guerrilla-like hustle alongside his long term friend and eventual business partner, Damon Dash that would really see Jay-Z’s career begin to take shape. Selling tapes from his car, performing at numerous hot spots in New York and battling well known rappers across the country, the height of the rapper’s hustle would come when he formed his own label, Roc-A-Fella Records alongside Dash and Kareem “Biggs” Burke. Reasonable Doubt was comprised of an all star cast of rappers, singers and producers. DJ Premier, Mary J Blige, the Notorious B.I.G and more all were on hand to help in telling the enigmatic story of arguably the greatest rapper to ever pick up a microphone. SoulCulture recently sat down with Ski Beatz, one of the influential producers on Reasonable Doubt and former member of Original Flavor, to discuss the creation of the album, the deeper meaning behind tracks as well as some of the key moments during that historic period.

With the West Coast cornering the market for weed rap in the '90s, a small handful of the Southern movement have taken the spirit of the previous drifters and revamped it for the new decade. Arguably the one artist who has proven to be the most successful with this blueprint is New Orleans' Curren$y, whose previous releases have garnered a large following. Already providing one soundtrack to the summer with his Alchemist co-featured Covert Coups, Weekend at Burnies (a play on the classic '80s slacker’ film Weekend At Bernie’s) hopes to maintain his grip on being the soundtrack to many drop top convertibles and slouched weekends during the sunny period.

Even the most casual of Hip Hop listeners should be aware of Ski Beatz as, at the very least, the producer of iconic Hip Hop anthems on Jay-Z's 1996 debut, Reasonable Doubt, and several albums for Camp Lo, having also gone on to produce for Lil Kim, Foxy Brown, Fat Joe and others. 15 years on and the digitally inclined will have caught last year's excitable wave of activity leading up to the release of the North Carolina hailing producer, DJ and former emcee's own album, 24 Hour Karate School, released in September 2010, which saw Ski working with a mouthwatering spread of Hip Hop talent established and new, including Curren$y, Smoke DZA, Jean Grae, Jim Jones, Jay Electronica, Joell Ortiz, The Cool Kids, Stalley, Tabi Bonney, Ras Kass, Camp Lo and Wiz Khalifa. On a mission to find out more about the man behind the beatz, SoulCulture TV sat down with Ski Beatz at Damon Dash's creative base of operations in New York, DD172, and asked the producer about his beginnings in Hip Hop - as a rapper first. Watch below as Ski talks us through his journey from the mic to the boards, from getting jaded by the industry and moving home to North Carolina to more recently returning to New York to work with a new breed of emcees - and how his initial passion for rapping gives him the edge when producing for top rappers.

After the controversial split of the heavyweight Roc-A-Fella label, Hip Hop supremo Damon Dash is back - returning to the Hip Hop arena with big ambitions and a hungry young roster on BluRoc Records. The first artist to wave the flag for the new brand is New Orleans spitter Curren$y. A XXL Freshman for ’09, Curren$y’s buzz is carried into the summer of 2010 and with Pilot Talk ready for take off, how will the first venture from DD’s new order fare?

hiphophighlights Ten years into the 21st Century and Hip Hop is now one of the biggest grossing industries in the world today. Forget the music – the clothing, films and TV deals have all played a part in establishing this way of life as one of the biggest phenomenons. To think it all started off with just two turntables and a mic... As 2010 dawns, its time to take a look at what has had the streets and discussion boards talking; the artists, the controversies and sadly, the losses. The Hip Hop Highlights of the Decade...

blakroc scrate3_5 It’s usually a disaster waiting to happen when we see these hybrid projects of rock mixed with hip-hop artists. Ever since “Rock This Way”, artists have been wanting to cross these two worlds together, and at times it works but more often than not it’s like Eddie Murphy collaborating with Rick James: Two people great at their fields, but when together, shit sucks. Luckily for the Blakroc project, you have not only talented hip-hoppers like Mos Def (who can pretty much cater to any style of music anyways) but you also have the members of The Black Keys at the helm, who have Hip Hop sensibilities (especially since Danger Mouse produced their last album, Attack and Release.)