Bad Boy Records
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Coming off a successful string of debut releases from Hip Hop artists Craig Mack and the Notorious BIG, Bad Boy Records released Faith on August 29, 1995. Upon the release of Faith Evans' debut album, she was quickly dubbed as the heir apparent to the throne of the brand new genre Hip Hop/Soul. During this juncture, there were a plethora of women looking to make their mark on the industry as solo acts and breakthrough. She capitalized on the momentum laid down by her Bad Boy brethren and seized the moment. The young, upstart label was ushering in fresh talent to cultivate in its own image. Evans became the first lady of Bad Boy after being signed by Sean “Puff Daddy” Combs in early 1994. He clearly saw something in the young songstress and his gamble paid off decisively. Her debut offering delivered an unprecedented amount of success to the artist and label alike.

112 was released on August 27, 1996 by Bad Boy Records. 112 arrived on a musical landscape where R&B music was at its peak for mainstream audiences. During this juncture, there were a plethora of R&B groups making their mark on the industry and opening doors for new acts to breakthrough. The opportunity to capitalize on this momentum was made available and 112 seized the opportunity in the stellar fashion. Bad Boy Records was the newest label on the scene and their youthful exuberance shined through with the hot acts they were signing in both the R&B and Hip Hop genres respectively. 112 became the second R&B act signed by Sean “Puff Daddy” Combs and he clearly saw something in the quartet ages ranging from 17-19. The group failed to disappoint with their debut offering and left quite the impression on the multitude of music fans worldwide. This album would introduce the group as an alternative choice from the other R&B groups on the music charts. Their style of rhythm and blues was reminiscent of Boyz II Men and many of the forefather R&B groups throughout the history of R&B music. Each of the 19 songs on the album highlighted the four part harmonies of Michael Keith and Daron Jones and lead singers Marvin “Slim” Scandrick and Quinnes “Q” Parker. It would also showcase the production talents of group member Daron Jones, up and coming Bad Boy Hitmen producer, Steven “Stevie J.” Jordan, Tim & Bob, Wanya Morris of Boyz II Men and Sean “Puff Daddy” Combs. All of these elements proved to be explosive once the album hit stores in the late summer of 1996. The concept for the group was formulated by Daron Jones and Michael Keith when they were in 7th grade. 112 formed as a group in 1994 in Atlanta, Georgia while attending the same high school. They were originally a quintet and their group name was Forte, which was an acronym for Forever On Route to Excellence. After various line up changes with different group members, co-founders Daron Jones and Michael Keith recruited Marvin “Slim” Scandrick and Quinnes “Q” Parker to become part of the group. The group began to build a legendary reputation around their hometown of Atlanta by winning consecutive singing competitions. They eventually gained the attention of producers Tim & Bob and managers Courtney Sills and Kevin Wales. As the story goes, the group was brought in to perform for Sean “Puff Daddy” Combs at the famous Buckhead 112 Club in Atlanta, Georgia. It would be here where they would obtain the name for their group. After receiving a co-sign from Faith Evans and Chucky Thompson, Combs signed the quartet to his label to become his first male R&B collective. A year later, the group would release their debut album and the rest would be history. Between the months of February 1995-January 1996, 112 was recorded at Daddy's House studios in New York, New York. SoulCulture recently sat down with co-founder Daron Jones and producer Steven “Stevie J.” Jordan to discuss how the album developed from beginning to end.

It's the 21st of May 2010 and this morning I found myself sat watching Dirty Money's "Hello Good Morning" video on TV. It was a bit early for me to be watching a video with such glitz, pizzazz and all the bells and whistles which...

janelle_monae_singing6 I can't for the life of me remember how I first came across Janelle Monae. She appeared on several Outkast affiliated projects in '05 but I don't think I paid much attention to them - it was her EP that caught my ear a few years ago. Metropolis Suite I of IV: The Chase was a strong but short set of seven fusions of rock, pop, soul and funk, quietly introducing this flawless voice, unique songwriter and theatrical performer to the world.

day_26 BREAKING THE BAD BOY CURSE Interview with Que of Day26 By Tahirah Edwards Byfield The fourth of MTV's Making The Band was the most controversial season yet. As well as publicly solidifying the end of girl-group Danity Kane, the season also documented a turbulent three months for Qwanell "Que" Mosley, Robert Curry, Mikey McCluney, Brian Andrews and Willie Taylor of Day26. With fighting between band members and the looming threat of disbandment, the future of Day26 also seemed to be ambiguous. However, instead of facing a fate similar to their female counterparts, the R&B quintet released a chart-topping sophomore album Forever In A Day and are seemingly closer than ever before. Whilst on the road touring with The Dream, Que from Day26 spoke to SoulCulture about music, the Bad Boy curse and the 'reality' of reality TV.