Coming off a successful string of debut releases from Hip Hop artists
Craig Mack and the
Notorious BIG, Bad Boy Records released
Faith on August 29, 1995. Upon the release of
Faith Evans' debut album, she was quickly dubbed as the heir apparent to the throne of the brand new genre Hip Hop/Soul.
During this juncture, there were a plethora of women looking to make their mark on the industry as solo acts and breakthrough. She capitalized on the momentum laid down by her Bad Boy brethren and seized the moment. The young, upstart label was ushering in fresh talent to cultivate in its own image. Evans became the first lady of Bad Boy after being signed by
Sean “Puff Daddy” Combs in early 1994. He clearly saw something in the young songstress and his gamble paid off decisively. Her debut offering delivered an unprecedented amount of success to the artist and label alike.
It's been 13 years since Christopher Wallace was cut down in his prime. Those who know me know of my bizarre (yet valid) fascination/connection with the number thirteen and know where I'm going. But because I want to get back to my own musical Biggie tribute, I'm letting the readers off the hook from my long-windedness - but not without informing you that this could easily be a multiple page article in mere minutes. There are so many angles I can attack from, where do I begin? The fact that I can't even express a fraction of what I'm feeling inside right now should give some indication as to how much of an impact the life of the Notorious B.I.G had on mine...