kevin brereton
-1
archive,tag,tag-kevin-brereton,tag-1933,wp-custom-logo,wp-theme-bridge,bridge-core-3.3.4.8,qi-blocks-1.5.2,qodef-gutenberg--no-touch,qode-optimizer-1.2.2,qode-page-transition-enabled,ajax_fade,page_not_loaded,,qode-title-hidden,qode_grid_1300,qode-content-sidebar-responsive,qode-smooth-scroll-enabled,qode-theme-ver-30.8.8.9,qode-theme-bridge,disabled_footer_bottom,qode_header_in_grid,wpb-js-composer js-comp-ver-8.7.3,vc_responsive

I always consider it a promising sign when a rap artist can win over a non-fan of the genre like me. Hip Hop is usually a style of music I like in small doses; short, sharp sporadic bursts do just fine. However, Yes the latest offering from Canadian/Trinidadian singer-songwriter and wordsmith K-Os - née Kevin Brereton - is the exception that proves the rule. From the early strains of album opener ‘Zambony’ with its sample of an all-female gothic-sounding chamber choir, tasty synths and the main man singing melodiously on the chorus (Sisqo/K-Ci Hailey ad-libs to boot) you know you’re in for a fun, unpredictable ride. I couldn’t get enough of Brereton’s alternative take on this most influential of art forms.