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Of all the proposed jumps from grimy street rhymer to polished, radio friendly 'superstar', the expected transformation of Jermaine Scott better known as Wretch 32 was always going to be intriguing. For the north London rapper's immense lyrical performances and fondness for conceptual material seems vacant within many of the successful acts from the urban pop market. But with three exceptional chart singles, an abundance of festival appearances plus receiving the nod of appeal from both the underground and mainstream radio platforms, Wretch stands in a position which very few have been able to reach. But can Black and White, the second album from Mr 32 paint a more vivid picture than the current hoard of paint-by-numbers projects on offer from the rest?

The new guns of Hip Hop may believe that producing a solo mixtape will immediately lead to instant success. Maybe so - but believe it or not, there was a time when a rapper had to earn their stripes by battling on the underground circuit - just like Professor Green. Creating a buzz thanks to his humorous and character-stripping assassinations on the mic, Pro’s success elevated him into the category of the ‘next big thing’ but  a near fatal incident put any domination plans on hold for a year. Losing none of his wit and wordplay the Professor finally drops his anticipated album which hopes to make up for lost time. Kicking off with a funky opener in “Kids That Love To Dance” [featuring soulful UK rising talent Emeli Sande], Pro Green still displays a precision in his quick lyrical outputs, even briefly mentioning the horrendous attack he encountered; “I’m back in effect/ Got shanked in my neck now I’m back from the dead”.