9th Wonder
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gq-lovethreats reviewrate4 The latest emcee to emerge from 9th Wonder’s Jamla Records roster, former NCAA baller GQ sounds as if he’s going to be setting off with some serious offence if the lyrical talents displayed on Death Threats and Love Notes: The Prequel are anything to go by. Preceding the final version of his Death Threats and Love Notes series [the second volume should drop later this year], everything from the project's title, lyrical content and cover artwork [depicting Eldridge Cleaver and his wife] has been carefully selected to give listeners a better understanding of the California rhymer's subject intricacies.

The Idea of Beautiful. You could write an entire essay on such an intriguing matter. Snow Hill, North Carolina native Rapsody did write an essay on the topic but did it in the musical form. In her debut LP, Rap decided to take all that she learned from her previous three projects in which she explored different avenues and combine into a rare introspective effort. Rapsody’s ode to cultural assent and narration of her own heartbreak transforms The Idea of Beautiful from complex portrayal to personal abstraction and human-dignifying advancement.

It's become quite apparent that even in 2011, some years after the Carolina based group Little Brother called it quits, their spirit still remains ever present. Not just because the die-hard fans continue to bump The Listening, The Minstrel Show and the rest of their cult classics but because two thirds of the former trio have released solo albums. 9th Wonder took listeners through a glorious musical journey on The Wonder Years whilst Phonte's working man's album Charity Starts At Home arguably stands as one of the best releases of 2011. So all that remains now is for the heavy hitting Rapper Big Pooh to round off an impressive year for the heralded acts with his awaited release Dirty Pretty Things. Minus Phonte and Wonder, the Virginia born spitter has offered solid mixtapes aplenty, but can his second full length LP push him out of the LB shadow and into a lane of his own?

Passing the torch has always been mandatory in Hip Hop. No matter how big their ego, a successful rapper, DJ or producer always wishes to find their sucessor to ensure their legacy carries on into the new generation. From Rakim passing the lyrical baton to Nas or Eminem's co-sign of XXL Freshman Yelawolf, the trend continues, none so much so than in the producer field; namely one 9th Wonder. From carrying the same soulful blends as Pete Rock to constructing abstract drum patterns which channel DJ Premier, the genre’s greats have been quick to laud the praise of the former Little Brother member, not only for his remarkable sounds but for drawing out the superior artist within each individual he works with. As his collaborative effort The Wonder Years finally dawns, all ears will be intensely listening to hopefully discover whether the fusing of 9th's luscious sounds with a range of vocal juggernauts results in a timeless project which will sit amongst the great works of decades past.

David Banner has taken a winding path to this latest release. Death Of A Pop Star is uncharted territory for the rapper, who normally self-produces, as production duties were handed entirely to 9th WonderPop Star was originally intended to be released as a mixtape regarding contemporary music’s demise, but the collaborator’s resulting sessions exceeded expectations and the project evolved into an album. The endeavour adopts the uniformity and cohesiveness of an LP whilst keeping the swift pacing of the mixtape format. Clocking at a shade over thirty minutes, Death Of A Pop Star takes the GZA’s famed “half short and twice strong” axiom and creates an impressive work of art.

There are just certain artists that evoke a special feeling from fans and fellow musicians alike.  An artist that, no matter the battle plan, you'd still opt to musically walk into war with them blindfolded.  It's a trust that very few artists are able to get from their fanbase - but somehow Erykah Badu has been able to hypnotize me (and a gang of others) into being willing to do this since she stepped on the scene in 1997. The evolution of Erykah is a type of transformation that's rarely seen, at least in this modern generation.  She has the ability to adjust and shed certain skins similar to jazz artists of yesteryear and has a way of convincing her audience that they need to change with her too.

wale-attention-deficit Three years and five mixtapes into his career, Wale's debut album, Attention Deficit isn't offered as an introduction to Olubowale 'Wale' Folarin – instead, it seems to be announcing that he's always been here and you've only just caught up. Named one of XXL Magazine's Hip Hop Freshmen of '09, Wale's over-confidence in his position as a leader in contemporary Hip Hop's new movement isn't baseless. “I asked Mr West for a little bit of help...” Wale raps on the energetic opening track, “Triumph”. Of course, Kanye West isn't the only musical powerhouse behind Wale; he is in company with Jay-Z, Pharrell Williams and label-boss Mark Ronson. However, on “Triumph” and closing cut “Prescription,” Wale seeks respect from his audience based off of his own merit.

little_brother_rap Flying through London en-route to performing at the Montreaux Jazz Festival, Little Brother are performing in London on Wednesday night at the Jazz Cafe. I get on the phone to Big Pooh who, sounding relaxed, talks to me about the status of Little Brother, why they really split with 9th Wonder - and the fickle nature of the music industry...

What’s the situation with Little Brother?

"We’re just not really making music.