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II was released on August 30, 1994 by Motown Records. After selling over 9 million copies of their debut album, Cooleyhighharmony, Boyz II Men recorded the epic record, “End of the Road,” for the Boomerang movie soundtrack, which propelled their careers to the next level by setting records on the Pop and R&B charts. They returned to the studio in 1993 to record a Christmas album, Christmas Interpretations with fellow R&B stalwart, Brian Mcknight to build on the success of their debut and appearance on the movie soundtrack. All of these elements provided the group with a blueprint to achieve greater success. A year later, Boyz II Men would find themselves on the cusp of musical greatness once their second studio album would be released to the masses of music aficionados. This album would see Boyz II Men taking it up a notch in terms of their overall musical production and vocal abilities. The 14 song offering contained the trademark melisma-style singing of Wanya Morris, the tenor harmonies of Shawn Stockman and Nathan Morris and the smooth, deep bass notes of Michael McCary. The album introduced a young, up and coming production duo named Tim & Bob, welcomed back the production talents of Dallas Austin and showcased the legendary production of Babyface and duo Jimmy Jam and Terry Lewis. The inclusion of these greats musicians and vocalists became the springboard for the best selling album by an R&B group in the history of recorded music. Boyz II Men formed as a group in 1988 in Philadelphia, Pennsylvania while attending the Philadelphia High School for Creative and Performing Arts. They were originally a quartet and their group name was Unique Attraction. Co-founders Nathan Morris and Marc Nelson recruited Nathan's brother, Wanya as well as Shawn Stockman and Micheal McCary to become part of the group. It wouldn't be until a year later where they would begin their journey down the road of unparalleled success. As the story goes, the group was able to get backstage at a Bell Biv DeVoe concert in 1989. They performed an a capella version of New Edition's hit record, “Can You Stand The Rain” for Michael Bivins. A year later, the group would be signed to a production deal by Bivins to his Biv Ten Records company, a subsidiary of Motown Records. Due to mounting frustrations, Marc Nelson left the group to pursue a solo career leaving the group as a quartet. Four years later, the quartet would establish themselves as the best R&B group on the planet. Between the months of December 1993-May 1994 II was recorded at DARP Studios and Doppler Studios in Atlanta, Georgia, Babyface's home studio in Los Angeles, California, and studios in Philadelphia, Pennsylvania and Reno, Nevada. SoulCulture recently sat down with Bob Robinson, one half of the legendary production duo, Tim & Bob and co-writer for five of the songs on the album to gain a deeper perspective on how the iconic record came to fruition.

Johnny Gill’s self-titled LP was released on April 17, 1990 to the masses of R&B fans and it was well received upon its release. Serving as a springboard to the new phase of Gill's career, this album helped to propel him as one of the leading R&B singers of the decade. Being one of the lead singers for then popular R&B quintet, New Edition, he was provided with the platform to showcase his vocal gifts to the world at large. During this juncture, New Jack Swing production was dominating the urban radio and television formats, but Johnny Gill was a welcomed return to traditional, soul-stirring R&B ballads of a bygone era. His singing style was refreshing reminder of past R&B balladeers such as Luther Vandross, Jeffrey Osborne, Teddy Pendergrass, etc. His voice moved effortlessly between a gritty baritone and a sweet tenor, which lent him to have a profound range when singing songs on this album. These two things made him stand out amongst his counterparts in ways unmatched. It allowed for the titanic production duos Jimmy Jam/Terry Lewis and Babyface/L.A. Reid the potential to develop an album centered on the stellar vocals of Johnny Gill.